I seem to have seen so many films recently, on TV, DVD and at the cinema and I've not had time/inclination to write a lot about each one. So for the sake of completeness, I'm going to zip through what I've seen here, starting with TV drama Page Eight (2011), a slow yet solid tale of espionage starring Bill Nighy. Then there was Bringing Up Baby (1938), the hilarious screwball comedy that sees Cary Grant and Katharine Hepburn trading barbs as they try to track down the titular Baby, a pet leopard on the loose, and Hepburn tries her darndest to snag her man. I've seen this film before and it's an absolute hoot, so I was eager to get Andrew to watch it to see what he thought - for the same reason we watched The Birdcage (1996), the hilarious US remake of La Cage aux Folles starring Robin Williams and Nathan Lane as a gay couple who are shocked to learn 'their' son is to marry the daughter of a Republican senator. Funny and unexpectedly touching, The Birdcage doesn't do a great deal for the gay cause, but it's hard to be offended when everyone's having so much fun.
A change of tack to documentary and Sarah Palin: You Betcha! (2011), where Nick Broomfield investigates the strange world of the one-time VP hopeful through interviews with family and friends. And once it becomes clear that Broomfield is making an honest documentary rather than a puff piece about how amazing Palin is, the access to family dries up pretty quick. I didn't think that Broomfield set out with a liberal agenda per se, but he soon uncovered a lot of dodgy back story and delusion behind the soccer-mom smokescreen that painted a convincing and scary picture of Palin.
Panned by the critics and shunned by audiences, I went into John Carter (2012) with an open mind (and a buy-one-get-one-free email voucher from Disney) and was completely blown away. I cannot see why everyone is down on this movie, it's exciting, it's funny, it's original and it is much better than many other CGI sci-fi epics I can think of (yeah, Phantom Menace, I mean you). I've not stopped talking about it to friends and colleagues since. Taylor Kitsch is hunky and a hero to route for as the title character, a widowed US Civil War veteran who is mysteriously transported to Barsoom/Mars where he gets caught up in the red planet's own internal fights. Filled with spectacle, non-irritating CG characters, suprisingly dark moments and much more, John Carter's fully-realised world is one I'd love to go back to in future films, but alas that's unlikely.
Special effects on a much smaller budget and screen made last Christmas' The Borrowers (2011) a believable and fun tale that up-dated Arrietty's family and found them living under Victoria Wood's floorboards. Stephen Fry's scientist gets wind and determines to expose the little folk to the world in a plot that is bigger than the Ghibli movie but less sweetly engaging. A much more odd interpretation of a classic children's story, Wes Anderson's stop-motion Fantastic Mr. Fox (2009) features an assortment of indie voices plus George Clooney and Meryl Streep as Mr and Mrs Fox, and a laconic tone that suits the story to a tee.
After reading William Goldman's novel I revisited The Princess Bride (1987) on DVD. I didn't get the big deal the first time around, and while I can see why it has earned cult status, like the book before it I still felt it was lacking an extra something to expand the idea of a parody fairytale into a roaring success. What the movie did was make me want to watch Cary Elwes really letting loose in Robin Hood: Men in Tights again! The Princess Bride felt oddly low key as a whole, something that could also be said of Monsters (2010), the economically made movie about two characters who are thrown together to travel across alien-infested landsThe low budget meant that this was more a character study than a John Carter style action-fest, with the CGI aliens only briefly glimpsed. Perhaps actually it is more of a love story than anything else, as well as a pretty trip around the jungles of Central America.
Finally, last Wednesday we went to the cinema to see The Pirates! In an Adventure with Scientists! (2012), in 3D, Aardman Animation's latest claymation feature. The most joyfully silly movie I've seen since The Muppets, The Pirates is packed full of sight gags and witty lines, run through with an earthy Britishness and randomness reminiscent of Monty Python. While not as consistently laugh-filled as Chicken Run, I found The Pirates more satisfying than Curse of the Were-Rabbit and left the cinema with a massive smile on my face. And that concludes the movie part of the update!
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